Hossein Mesbahian
Abstract
This paper argues against a singular and definitive notion of modernity and calls for a new formulation of this elusive concept that moves beyond the framework established by its strongest proponent: Jurgen Habermas. In addition to serious consideration and analysis of non-Western critiques of Habermas’ ...
Read More
This paper argues against a singular and definitive notion of modernity and calls for a new formulation of this elusive concept that moves beyond the framework established by its strongest proponent: Jurgen Habermas. In addition to serious consideration and analysis of non-Western critiques of Habermas’ unfinished project of modernity, the approach advocated here seeks to examine four central components of what I shall refer to as “multiple modernities”—components which are themselves the product of cultural diversity. 1) By reference to the multiplicity of cultures and histories, the notion of multiple modernities challenges the concept of universal history. 2) This concept takes into account the multifaceted roles of the various agents involved—in the development of multiple modernities. And because this is so 3) the underlying values of these cultures allow modernity to take on various forms. 4) The concept of “Multiple Modernities” definitively acknowledges the link between modernity and civilization—a link which I argue is a defining feature of the project of any modernity.
